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Picture for Women
''Picture for Women'' is a photographic work by Canadian artist Jeff Wall. Produced in 1979, ''Picture for Women'' is a key early work in Wall's career and exemplifies a number of conceptual, material and visual concerns found in his art throughout the 1980s and 1990s. An influential photographic work, ''Picture for Women'' is a response to Édouard Manet's ''Un bar aux Folies Bergère''〔Gallery Guide text for the exhibition Jeff Wall Photographs 1978–2004, Tate Modern, London, October 21, 2005 to January 8, 2006 quoted in David Campany, "'A Theoretical Diagram in an Empty Classroom': Jeff Wall's Picture for Women", ''Oxford Art Journal'' 20.1 (2007): 12–14.〕 and is a key photograph in the shift from small-scale black and white photographs to large-scale colour that took place in the 1980s in art photography and museum exhibitions. It is the subject of a monographic book written by David Campany and published as part of Afterall Books' One Work series.
==Background==
Jeff Wall, born September 29, 1946, in Vancouver, is a Canadian artist best known for his large-scale back-lit cibachrome photographs and art history writing. Wall has been a key figure in Vancouver's art scene since the early 1970s.〔(【引用サイトリンク】 title=Discover must-know artists from across Canada: Jeff Wall )〕 Early in his career, he helped define the Vancouver School and he has published essays on the work of his colleagues and fellow Vancouverites Rodney Graham, Ken Lum and Ian Wallace. His photographic tableaux often take Vancouver's mixture of natural beauty, urban decay and postmodern and industrial featurelessness as their backdrop.
Wall experimented with conceptual art while an undergraduate student at the University of British Columbia.〔Newman, "Towards the Reinvigoration of the 'Western Tableau': Some Notes on Jeff Wall and Duchamp", p. 83〕 Wall then made no art until 1977, when he produced his first backlit phototransparencies.〔Newman, "Towards the Reinvigoration of the 'Western Tableau': Some Notes on Jeff Wall and Duchamp", p. 85〕 Many of these pictures are staged and refer to the history of art and philosophical problems of representation. The photographs' compositions often allude to historical artists like Diego Velázquez, Hokusai, and Édouard Manet,〔Merritt, Naomi ''Manet's Mirror and Jeff Wall's Picture for Women: Reflection or Refraction?'', Emaj, issue 4, 2009, (‘Manet’s Mirror and Jeff Wall’s Picture for Women: Reflection or Refraction?’ )〕 or to writers such as Franz Kafka, Yukio Mishima, and Ralph Ellison.〔Newman, "Towards the Reinvigoration of the 'Western Tableau': Some Notes on Jeff Wall and Duchamp", pp. 83–4〕
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